簡(jiǎn)介：一個(gè)無畏的堂試圖改變他無情的方式和暴力的過去，與家人和平相處。然而，他黑暗的過去繼續(xù)困擾著他。他直面它并克服它。

簡(jiǎn)介：生物學(xué)家胡朔為救基因缺陷的兒子，研究用螞蟻基因改善人類基因，卻遭所有人否定，妻子劉幸之也離他而去。黃錦雄因病資助研究，參觀實(shí)驗(yàn)室時(shí)蟻后逃走變異，帶領(lǐng)蟻群攻擊眾人，胡朔和黃錦雄身體也開始蟻化。最終，劉幸之封鎖引爆實(shí)驗(yàn)室，阻止了浩劫。

簡(jiǎn)介：An unrelenting shark turns a couple's dream vacation into a nightmare when they are stranded at sea and forced to fight for their lives.

簡(jiǎn)介：在一個(gè)被不公正所籠罩的國(guó)家，一個(gè)火熱的年輕人面對(duì)強(qiáng)大的腐敗網(wǎng)絡(luò)，挑戰(zhàn)現(xiàn)狀，為平民人民的權(quán)利而戰(zhàn)。

簡(jiǎn)介：Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”

簡(jiǎn)介：一對(duì)關(guān)系疏遠(yuǎn)的兄妹聯(lián)手展開了一場(chǎng)跨國(guó)劫盜行動(dòng)，目標(biāo)是找出傳說中的“不老泉”，而這一路上，兄妹倆利用自己的歷史知識(shí)破解沿途的各種線索，這段史詩(shī)般的冒險(xiǎn)將改變他們的生活——并可能達(dá)到永生。